oboé - estudo - carmel raz - trialogue - estudo de articulações e expressões.pdf

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Transcript of oboé - estudo - carmel raz - trialogue - estudo de articulações e expressões.pdf

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Performance Instructions:

Slow, exaggeratedlywide vibrato ad lib

Multiphonics areindicated with a

square notehead,above it thefingering and basepitch.The asterisksindicateapproximateconcert pitch.

The inspiration for ri logue is taken from an imaginary conversationbetween three or more characters, or multiple personalities within one

character. The performer can interpret the phrases descriptions

according to his or her taste, however, the piece should not sound like a

caricature.

Total Timing: ca 4 minutes

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& 4 4 8Oboe Ÿ~~~~~~~~~~~~Very Free ( q»ª•)

wƒ forcefully

œ( )

5

œquestioning F

œœœ- ˙p passive

Œ ‰œ>resolutely

ƒœ>œ> j

F©©©

& 4 45

5

œ

œœœœJf

‰.sub p

œ>

f

like a march

œ>jœœ‰œœ

ƒ

œ. œ. œœ. œ œœ.©©

& 4 4 48 ‰œ>F

somewhat hesitant œ>>P

5œ-with conviction

sub fœœœ œ- w

thoughtfully

‰œFœdance-like

œ. œœœ. œœœ©©

& 4 412 œ. œ œœœ. œ- œ-6

œƒ

œ œœœœ. , œ sub P

somewhat hesitant

œœ. œ.with growing conviction

œFœœ œœœœœ

& 4 4 415œ

fœœœœœ

F‰œ somewhat hesitant œœ. œ.

questioning

œp

œœœ œœœœœ œ‰ j

œ

>

f(answering)

& 419 œP

œœœ persistantly questioning

œœœœœ œœf

œœœ‰œ>resolutely

œ>jœœœœœ

lazily

w sub p

©©©

Trialogue Carmel Ra

Berlin 2003, rev. Chicago 200

for Oboe Solo

*)

*) slow, exaggeratedly wide vibrato ad lib.

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& 4 persistantly questioning, relentless

22

5œP

œœœ œœF

5

œœœœ œœ ‰œf

œ œœœ œœœƒœœ,

‰œF

œœœ,

& 4 4~~~~~~~~~~~~25

œ>ƒ

œ>Œindolent, yet questioning

7

œP

œœœœœœ.pw

(answering)

‰ œP

questioning, energetically

œœ. œ©©

&f

29 œ. œ œœœœŒjœ(answering)

(sempre f )

expressive

‰ œP

œœ-

F

œœœP

3

œœœ Œ

& 4 4 4 433 j œ.p

shy œ.‰j forcefully

ƒœœœœœœœ‰ w

p

reserved, cool

angry

‰œƒ œ –-C j w

mocking

& 4 438 ‰3

œ furious

œœ–-C

icy

wo

j œF

accusing jœŒœinnocent

PœœŒ ‰ œ

Fœ‰j

p‰œf œœ

& Ÿ~~~~~~

ƒ F42 Œ 5

œangry

œœœœŒ œ˘icy, hesitant œ

accusing

Œ ˙ Œ

& F44 ‰œpœ‰j ‰œ œ‰

like a march

œ>ƒ œ> Œ Œ

ficy

wp p

©©©©©©©

**)

***)

**) multiphonic - the sounding note should be approx. e flat***) multiphonic - the sounding note should be approx. e natural

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& 4energetic, very freely

Slightly Faster ( q»¡º§)

48 œF

œœœœœœœœœœœœœœœtake time here

œœœœœf

œœ

&51 œP

stricter rhythm

œœœœœœœœœœœœœœœtake time here

6

œœ œœœœf‰J

P

&54

œp

stricter rhythm

œœœœœœœ fœ

œœ

œœ

œœ

p‰œ

Phesitant

œœ œ,

& f forcefully

57 œ sub F

œœœœœœœ‰J. somewhat hesitant

œtake time here

œ œ œœœœœœF

&with growing conviction

60œœœœœœœœ

fœ stricter rhythm

œœœœœœœœœœœœœœœ

& F63 œ

f

take a little time here----------------------------

œœœœ

œœœ œ

stricter rhythm

œœ

œœ

œœ

œ ƒä

ϊ ϊ ϊ

& shy

66 ‰œp œœœœœœä

resolutely

sub Fϊ ϊ ϊ ϊ

fœä –-

C (questioning)

œ sub p

œ ‰ œP œ- œ-***)

***) multiphonic - the sounding note should be approx. e natural

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& 470 œf œ œ>(answering)

œœ œ œ-F

œ- œ-Pp ˙ w

#

©©

&74

5

F

Tempo I: Very Free ( q»ª•)

œœlike wondering out loud

œœ.5œ œœœœœ

5œ œœœœœ5

œƒ

œœœœ.

&77

œ

(answering)

sub Fœœœœœœœœœœœœœœœœœœœœ

,(questioning)

5œf

œ œœœœ5œ

ƒ

œ œœœœœF

& 4 479 ‰ jœ œF œœœ œœœœœœœœœœœœœœœœœœœƒ

œ

& 4(questioning)

82

6

œF(questioning)

œœœœœ‰œ(answering)

œ. œœP

œœœœœœœœ6

(answering)

dolce

œf

Œœ 3œœœŒ

& 4Ÿ~~~~~~~~Ÿ~~~~~~~

resigned

86

wp ‰œ>

f

with conviction

œ>œœ œ>œ> ˙

˙

Pjw #w©©©