Maiden Voyage por Doug Mackenzie (Transcrição)

7/30/2019 Maiden Voyage por Doug Mackenzie (Transcrição)

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Maiden Voyage (Herbie Hancock)Improvised by Doug McKenzie

& 44

? 442 3

¸¸

¸¸q Q

4 5 6QÏ

bQ__bQQ

bQQ_bQ_.Ð ___bÐ .Ð.Ð_.Ð ÐÐ_Ð___Q bÐbÐ_bÐ nÐ__bÐ____bQ bHH_H____H Ï_Q .bH.bH_.bH_Q _Ð .Ð .Ð ÐÏQ

i.e. as 'slash' chords F#/D for 4bars then A/F for 4 barsInstead of the usual 7sus4 chords, in the 1st chorus, Maj7#5 chords are used

RH is playing around with a Gb major triad

Gb/D

7 8 9å Q__Q

E__Q

.Ð _Ð_Ð _Ð Ð__Ð

#Ð__#Ð

_Ð _#Ð .Ð__.Ð

Ð___Ð

_.Ð __Ð Q___Q

__H Ï ¸̧ ÏÏ Æ .e.qÆ .E__.Q qq_#Q_.Ð.#Ð Ð__Q

In first section, melody is played both hands in unison - allowing freedom tore-harmonise the gaps

A/F

10 11 12Ð.Ð_.Ð___.Ð

Ï

.Ð__.bÐ bÐ_Ð

___.Ð __ÐÐ_Ð

Ð__Ð _bÐ Ð.Ð .Ð.Ð_Ð .Ð Q

QbÐ_bQ

__bQ____Q

__Q

_Q__Q___Ð

_QQ_Q

__Q QQbÐ_bQ

Ï_H

¸Ï

RH basically plays around with an A Major triad

13 14 15

qbqQ_Ð__bQ

å eqÐå _E__Ð

.Ð.Ð .Ð ÐÐÐ_.Ð__.Ð _Ð__Ð

qqÐ_Q__Ð

hhûb_Q__bÐ

_____q

.Ð.Ð .Ð ÐÐÐÐ¸

qÐqÐ .h .ûb .bh .û¸ q

bqqq_Q

Parallel harmony with a 7b9 type voicing shifting with the melody

Gb/D


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16 17 18bqbqbq_Q

hh_Qb_nÐ h

qqqÐb bhbhhn ûbh

ÐÐnÐÐb .Ð .Ð.nÐ.Ðn .ÐÐ _.Ð

qÐqÐbbq_nQ

#qÐ#bÐqn qn_#Q

#QQQnÐQ__nQ

#QQQÐQ

Ï.å xqq_#q.å X

Same sort of voicing moves with the melody

Gb/D A/F

19 20 21

qqq_#qQ

#Q_Q_Q

QQ__Q

_Q___Q

___Q#Q_Q__#Q____Q____Ð

¸

Q____Q______Q

.Q___.Q_____.#Q

EQQ_Q

Ï å __EQ#QQ_Q__Q

QQQQ

QQQH

Æ .nEMore A major triads in RHMore A major triads in RH

A/F

22 23 24

H.H

Ð .Ð Ð Ð

Ï

Q

Ï

Q

Ï

Q

bQ.Ð bÐÏ

bÐ Ð Ð¸

bÐ Ð Ð bÐ .Ð q

An EbmMaj7 is used here instead of the usual Eb7sus chord An EbmMaj7 is used here instead of the usual Eb7sus chord

Ebmmaj7

25 26 27.å xÏ

#Ð bÐÐ Ð8

å __nEÐ Ð #ÐÐ8

__nÐ __.Ð8

Ð #Ð Ð Ð8

__Ð _. .#Ð8

Ð #Ð bÐ Ð Ð8

Q.H.H.#H_.H

#Q.#H_.H

H QÏ

RH plays Ebm9 arpeggio (looks like GbMaj7)

LH plays melody below - kind of Debussy (?) style!

28 29 30ÏÏ

Æ .e.qÆ _.be_____.bq

qq_q_____q

ÐÐ .bÐ.bÐ

_____Ð_Ð.Ð__.Ðb__.nÐ bHbHH__Hb__nû EQ .bq.qE__Qb__nÐ .bQ__.Qb__.nÐ Ï

Ïå be_qn __Ðb___qå be___bq

Ð_Ð__Ð___Ð .Ð_.Ð__.Ð___.ÐÐ___Ð .Ð___.Ð

ÏÏ

Dbm7 Gb7sus Gb7sus

31 32 33

ÏÏ .bÐ_.Ð__.Ðb___.Ð Ð_Ð__Ð___Ð.bÐ___.bÐ Ð___Ð

.Ð_.Ð__.Ð___.Ð Ð_Ð__Ð___Ð.Ð___.Ð Ð___Ðq_q__Ð___qq___q

.å bx_q__Ðb___q.å bx___bq

.Ð_.Ð__.Ð___.Ð Ð_Ð__Ð___Ð.Ð___.Ð Ð___Ðh_h__û___hh___h

.å _bÐ _nÐ

.å XQ__Q

_.Ð _Ð.Ð__.Ð Ð__Ð

_.Ð _ÐÐ__Ð Ð__Ð

_Ð Ð

D7sus



34 35 36

__ÐÐ _Ð.h

_Ð _.Ð Ð Ð .Ð Ð.Ð Ð

qÐ .Ð

Q_.Ð __Ð

E Q __E

__E ___Q ____E__.Ð __Ð

____.H__.Ð __Ð __Q ___bÐ ___Ð

QbQ__bQ

Back to the usual D7sus harmony - can think of this as Cmaj7/D

D7sus F7sus

37 38 39

__Q

¸

bÐ Ð Ð Ð ___bÐ ___Ð

Ï

__.Ð ______bÐ

å __E_______Ð

_____Ð

.å X

______.bÐ

_____bÐ

.Ð Ð

_____Ð _____.Ð

Ð .Ð

____Q

____q

__Q

____q

___.bH

.hNow F7sus ( = Eb/F)

3 note fragment of melody moved up in octaves

F

40 41 42.å _Ð _bÐ _nÐ

.ÐÐ__Q

Ð_.Ð__H

_H¸¸

ÏÏ

q_q__q_q_____q

#qq__q_q____q

.Ð.Ð__.Ð bÐ_Ð___#Ð.å __#x_____#q

q_q___q__q_____q

nq_q__q_q_____q

D7sus (C/D)

'Parallel' harmony - the chords move exactly parallel ...

C/D D/E, B/C#,C/D - upper and lower neighbours toD7sus

43 44 45ÏÏ

Q__Q_Q

Ð__Ð Ð__Ð______ÐÏ

Q__Q______QÏ

H__H______H¸__Ð __Ð __Ð___bÐ ___Ð __Ð Ï

Ð bÐ _Ð __bÐ.å x bÐ .bÐ

__H_bÐ ___bÐ ___ÐD7sus F7sus

46 47 48 49__Ð

___bÐÐ__bH Ð __

Ð__Ð Ð bÐ Ð¸

Ð Ð Ð .Ð Ðw

.Ð bÐ e _q e qH

_q _.Ð _Ð.Ð Ð _QQ _Ð__Ð __

bÐ__nÐ

å _bÐ _nÐ __H

_H __Q

_Q

This line uses a step/leap/step/leap shape

F7sus D7sus

50 51 52

__.H

_.H q_q_Ð__q_q_____q#qq_Ð#__q_q____q

.h.h_.û__.h_h____hÏ

ÏÏ q_qn _Ð__q_q_____q

.#Ð__.#Ð___.#Ð Ð_Ð__Ð__.#Ð_____.#Ð

_Ð_____Ðq_q__q_q_____q

More similar Parallel harmony using similar chord voicings on neighboring notes

- the C/D chord is 'surrounded' by its neighbors - DMaj7/E and B/C#D7sus CMaj7/D DMaj7/E CMaj7/D B/C# C/D



53 54 55q_q__q

_h_____h

.Ð Ð Ð bÐ Ð Ð

_Ð_____Ð

Ð .bÐ _ÐQ__.bÐ ___Ð

Ð bÐ___Q

.Ð Ð___.Ð Ð

QQ

E bq eqÐb.Q bE

.Ð.Ð .Ð Ð

.Q EÐ Ð

F7sus

56 57 58e q bew

h Ð Ð

Q

.Ð bÐÐ

Ð bÐ.Q.Q E

bQ __Q___bÐbQQn Q

.bÐ Ðn.Ð.Ð.Ð ÐÐ __.Ð___.Ð

E .Q.Q.Q__Ð___Ð Ð Ð_.Ð

On Ebm - it has its 5th shifted up in chromatic steps

F7sus Ebm Ebm#5 Ebm6

59 60 61

qbq_.Ð bÐ

.Ð.Ð ÐÐ

.Ð Ð.q.q bEH

bE Q nEH

Ð ÐÐ bÐ

ÏÏ

Ï¸

Æ .bE Ð .bÐ

Æ .Eb .nÐ__.bQQÐbnÐ__Ð .Ðb .nÐ__.Ð

Ebm6 Ebm#5 Dbm7

62 63 64

bQÏ

QÐbÐb nÐ__bÐ ÐÐ__Ð

Hå bq_bq e_q

bHå .Qb .nÐ__.bQ

QQbnÐ__Q

QÆ .Eb .nÐ__.Q

bQÆ .Eb .nÐ__.bQ

_Ð _bÐ _nÐ ÐnÐ__ÐHbnû__H

ÐÐ__Ð Ð__Ð Ð__Ð Ð__Ð Ð_bÐ__Ð _nÐÐbnÐ__Ð Ðn_Ð

Dbm7 D7sus

65 66 67_Ð .ÐQ_Q

QQ_Ð__Q ÏQ_Ð__Q .Ð_.Ð ÐÐ.å X_Q

QQQ_Q

QQ_Q .å xq_q.Ð Ðqq_qÐ Ð eq_q .q.q_.q.Q _E ÐÐ_Ð Ð Ð_H Q

68 69 70

bqbqQbQ

Ð Ð_Ð __Ð

Q__Q

qÐbqÏ

QÏ

bqq.Ð Ð

.Ð

.Ð ÐbÐ_bÐ__Ð.Ð Ð qq_q__qÐ ____Ð

å .Q.bQ.Qb .Ð

å QbQ__bQ _E .Ð.Ð.Ð.Ð Ð_bÐ___Ðb___Ð

_.Ð __Ð

Q_Q___Q___Ð

__Q

F7sus



71 72 73

Q_bQ___Qb___Ð

__HÏ ¸

¸

__.Q __#Ð __nÐ

HH_û__H_Ðn #Ð _Ð _ÐÐ_Ð__Ð _Ð__Ð ÐÐ_Ð__Ð __Ð

_E .Q__E QQ_Ð__Q EQ_Ð__Q

¸EQ_Ð__Q Q__Q e

- mainly mixolydian melodic linesTrio starts - more conventional sus4 harmony

D7sus

74 75 76¸

_h

å e_q__q_Ð Ð_Ð

.Ð_.Ð__.Ð #ÐÐ_Ð#__Ð_.Ð.Ð Ð

#hh_û#__hH

.Ð.bÐ_.bÐ ÐnÐ_nÐ

.Ð ÐÐÐ_Ð ÐÐÐÐ Ð

qqbqQbQ

Ð Ð_.Ð __Ð

e .Q____.Q

__Q __.Ð __Ð___ÐC/D D/E Eb/F F/G G/A

Sus chords move in steps

D7sus F7sus

77 78 79

H____H

å _Q__bÐ___Q _E__Ð___Q______Ð ______Ð _______Ð

_Q__Ð___Q_______Ð ______bÐ _____Ð

_Q___QÏå Q _E__bÐ___Q

______Ð _______Ð ______bÐ _____Ð ______Ð

_.Ð__.Ð___.Ð _Ð__Ð___Ð______Ð _____Ð ____Ð

_Ð__Ð___Ð _.Ð__.Ð___.Ð___Ð ___bÐ __Ð ___Ð

_Ð__bÐ___Ð Ð Q

___Ð Ð __Ð __Ð__Ð

__Q___Q Q

F

80 81 82 83å E_Q.q E_Ð__Q

ÐÐ Ð Q.Q_.Ð__.Q e

q ¸e q e

__#Ð Ð_Ð __nÐ¸

__Ð Ð_Ð ___#Ð ___#Ð Ð_Ð_q

__#Ð Ð_Ð __nÐ.Ð ÐÐ

__Ð Ð_Ð ___Ð.Ð.Ð Ð

___Ð Ð_ÐÐ Ð

__#Ð Ð_Ð __nÐ_.Ð Ð

__Ð Ð_Ð ___#ÐÐ Ð _Ð

___Ð Ð_Ð __#Ð_Ð Ð Ð

__Ð __nÐÐ Ð

'montuno' like figure

D7sus D7sus

84 85 86_bÐ bÐ Ð Ðe .Q

bÐ Ð Ð ÐÐbÐ.Q.Q__.Q _E__Ð bebqq qq EQQ_E__bÐ _Q EbQ__Q

EQQ QQQ_Q _bEEQ__Q Q_Q__Q EQ_Ð__Q

QÐQ_Qb__ÐQQb_Ð__bQ

ÐÐ_Ð__Ð

bÐÐ_Ð___bÐ

.Ð.Ð_.Ð__.Ð ÐÐ_Ð__ÐEQ_Q___Q

Q__Q___Q

EQ_Q__Q

EQ_Ð__Q QQ_Ð__Q EQ_Ð__Q

Use mild crescendo on a rising line

F7sus F7sus

87 88 89 90

EQ_bQ__Q .Q.Q__.Q

EQb_Ð__bQ QQ_Ð__Q EQ_Ð__QHH__H

ÐÐ_Ð__Ð ÐÐ_Ð__Ð ÏHH__H

.bQ.bQ_.bQ E_Q_Ð__Q.Ð.Ð__.Ð Ð bÐÐ Ð

12

H_H_û__HbÐ Ð Ð bÐ Ð3 Ð _bÐ _bÐ__Ð __bÐ ___bÐ6

Ï

___Ð__.Ð

bQ_Q_bÐ__Q

__.Ð __Ð

.Ð_.Ð_.Ð__.Ð Ð_Ð_Ð__Ð

__Ð__Ð_Ð__Ð

_Ð_Ð__Ð Ð_Ð__Ð

_bÐ _bÐ

_Ð__Ð _Ð__Ð _Ð_bÐ__Ð

.H

bQ_Q_Ð__Q E_Q_Ð__Q nQ__Q bE_Q__Q

'Enclosed' chord tones followedby an Eb mixolydian scale

Eb7sus



91 92 93 94

HbE_bQ__Q Q_Q__Q E_Q__Q

.Ð Ð

.Ð_.Ð__.Ð Ð_Ð__Ð_.bÐ _Ð_bÐ_Ð Ð__Ð Ð_Ð__Ð

_.Ðn __bÐ

.bÐ.Ðb .nÐ__.bÐ ÐÐbnÐ__Ð___.bÐ ___Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð___.Ð bÐ__Ð___Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__ÐÐ__Ð___Ð bÐ__Ð

ÐÐbnÐ__Ð ÐÐbnÐ__ÐbE__bQ Q_Q bE_bQ

bEQbnÐ__bQ QQbnÐ__Q EQbnÐ__QE_Q .bQ_.bQ

EQbnÐ__Q QQbnÐ__Q Eå bEbQ_bQ

å bEQbnÐ__bQnQQbQ_nQ

QQbnÐ__Q.bÐ__.bÐ Ð_Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð.Ð_.Ð bÐÐ_bÐ

.Ð.Ðb .nÐ__.Ð ÐbnÐ__Ð

The LH plays a 'rootless' voicing with each RH note

Db7sus

95 96 97 98.bÐ.bÐ_.bÐ Ð_bÐ.Ðb .nÐ__.bÐ ÐbnÐ__Ð___bÐ

.Ð_.Ð _Ð

.Ðb .nÐ__.Ð___.Ð ÐbnÐ__Ð____Ð_Ð .nÐ_.nÐ

ÐbnÐ__Ð____bÐ .Ðb .nÐ__.ÐÐ__Ð ÐÐ_Ð__Ð

ÐbnÐ__Ð ÐÐ_Ð__nÐQQ_Q__Q

Q.Ð__.Ð Ðn Ðn Ð_Ð

.Ð.Ð__.Ð ÐÐ_Ð__ÐQQQ_Q

.Q.Q_.Ð__.Q E_Ð__QÏ å __

___Ð_____Ð

Q_Ð__Q______Ð

______Ð

Q_Ð__Q____Ð ____Ð _____

_Ð

.Ð_.Ð__.Ð Ð_Ð__Ð______Ð

____#Ð____Ð

Ð_Ð__Ð _Ð__Ð_____Ð_____Ð

_Q__Q____Ðn ____Ð _____Ð

Q__Q_____Ð ____#Ð ____Ð

_Q__Q____Ð ____Ð ___Ð

_Ð__Ð .Ð_.Ð__.Ð

Again notice crescendo on rising line - diminuendo when the line falls

each note is played twiceMelody in 4th intervals -

Db7sus

D7susD7sus

99 100 101

___Q

ÏÏ.å _X__Q

¸Q_Ð__Q Q_Ð__Q

Ïå EbQ__bQ

Ð Ð.Ð.Ð__.Ð _Ð

ÐÐ bÐ ÐbÐÐ ÐÐÐ__Ð _Ð __.Ð Ð_Ð

å qbqq eÐqE_Q _Q__bÐ _E__Q

eÐq .q.q_.bq_Ð__Ð Ð .Ð _Ð__Ð

F7sus F7sus

102 103 104 105.h.bh_.bh.Ð ____Ð____q ____Ð

Ð___Ð____Ð ___bÐ ___Ðq

__Ð __Ð _bÐ __Ðh

__Ð_Ð_Ð __Ð_Ð_Ð Ð_ÐÐ bÐ

_Ð Ð bÐ _ÐÏ

Ð .bÐ¸

hå e

_Ð nÐ Ð Ð.Ð Ð

.Ð.Ð ÐÐÐÐn Ð Ð_Ð

.Ð.Ð.Ð ÐÐÐ

.Ð Ð_ÐqQ

qQ_Q

step in the scalethe same shape repeats from the next

Diatonic line - notes in groups of 4

D7sus

106 107 108 109¸å Q_Ð__Q E_Ð__Q E_Ð__Q _Q__Q _E__Q ¸

å _Q__Q E_Ð__Q Ïe QQ_Ð__Q e

____q ____qe QbQ__Qb__

Ð E__Q__Ð___bq ¸e __Q__Ð E__Q__Ð Ï

å bQ__Qb__Ð EQ__Q__Ð____q ¸Ð Ð__Ð__Ð Ð__Ð__Ð Ð__Ð Ð

RH plays legato melodic line in bass register

Left H crosses and plays chords - all off the beat on 'ands'

Dm7 F7sus

110 111 112bÐ .Ðq .Ð ÐÐ bÐ Ð e q eÐ_bqh

å qÐb_bq eÐ_qw ÐÐ_Ð ÐÐ_Ð

Ï å bqÐb__bq eÐ__qh ÐÐ__Ð Ð ____ÐÐ Ð bÐ ____bÐ ___bÐ___Ð__ÐÏ

another mixolydian ascending scale After a 'flourish',

F7sus Eb7sus



113 114 115 116__bÐ _bÐ_ÐbÐÏ

bÐÐÐ bÐå _Ð __

ÐbÐÐbÐ_Ð__Ð __Ð__Ð

bÐÐÐ _bÐ

Ï

_bÐ Ð__Ð

bÐ_Ð_bÐ__Ð _Ð_Ð__ÐbQ__bQ

_Q_Ð__Q.Ð__.Ð bÐ___bÐ

_.Ð_.Ð__.Ð _Ð__Ðb __ÐQ___Q

_Q__Ð__Ð.å bX__bQ

.å _Xb__Ðb __ÐÐ__Ð bÐ___bÐ

_.Ð__.Ð__.Ð _Ð__Ð__ÐE___Q .Q__.Q

_Ð__Ð__Ð _Ð__Ð__Ð Ï

bH__bH

bQQbnÐ__bQ .Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð.Ð__.Ð _bÐ___bÐ_____bÐ

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð_Ð___Ð_____Ð _.nÐ___.Ð____.Ðb____.Ð_____.nÐ

ÐÐbnÐ__Ð .Ð.Ðb .nÐ__.ÐEb7sus

Db7sus

117 118 119

__.bÐ______.bÐ

___bÐ______bÐ

.bÐ.Ðb .nÐ__.bÐ ÐÐbnÐ__Ð___Ð______Ð

_Ð____Ðb____Ðb _____Ð

ÐÐbnÐ__Ð ÐÐbnÐ__Ð_Ð____Ð____Ð_____Ð _bÐ____Ð_____bÐ

ÐÐbnÐ__Ð ÐÐbnÐ__Ð_.Ð____.Ð_____.Ð _bÐ___Ð____Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð_.bÐ___.bÐ____.bÐ bÐ__bÐ____bÐ

.bÐ.Ðb .nÐ__.bÐ ÐÐbnÐ__Ð.Ð__.Ð____.Ð Ð___Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__Ð.Ð___.Ð bÐ_bÐ___Ð

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__ÐQ_Q___Q

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__ÐbH_bH___bH

.bÐ.Ðb .nÐ__.bÐ ÐÐbnÐ__Ð ÐÐbnÐ__Ð ÐÐbnÐ__Ð.Ð_.Ð___.Ð bÐ__bÐ

.Ð.Ðb .nÐ__.Ð ÐÐbnÐ__ÐÐ__Ð _Ð Ð__Ð

.Ð.Ðb .nÐ__.Ð Ð__Ð

The RH plays octaves with (often) a perfect 5th betweenLH plays rootless voicings at the same time asThe 'Red Garland' style block chords - i.e.

Db7sus Db7

120 121 122

.Ð_.bÐ__.Ð _.nÐ8

Q#ÐQ_Ð__Qb__nÐÏÏ

.Ð_.bÐ__.Ð _nÐ

.Q.Q_.Ð__.Q _E__Q_Ð Ð Ð_bÐ__Ð _nÐ bÐ_bÐ___bÐ

.Ð.Ð_.Ð__.Ð #Ð_#ÐQ#Q_Q__Q

nQ_Qn_#Ð__QQQ_Q__Q

QQ_nÐ__QÐ#Ð_nÐ nÐ

QQ_Ð__QÏÏ

å E#Q_Qb__Ð__Ð

å EQ_Ð__QÐÐ_Ð__Ð _nÐ

QQ_Ð__QbÐ_Ð__#Ð___bÐ ÐÐ_bÐ__Ð

ÐÐ_Ð__Ð ÐÐ_Ð__Ð

2 handed chords with some black notes sliding to white notes in RH - for 'bluesy' sound

D7sus

123 124 125å Ð#Ð_Ð Ðå QQ_Ð__Q EQ_Ð__Q

Ð ÐbÐÐ nÐ Ð Ð Ð bÐQQ_Ð__Q

Ð Ð Ð Ð Ð _bÐ6

Ï__Ð__Ð ___bÐ ___Ð ____Ð ____Ð6

QbQ__bQ_____bÐ______Ð ______bÐ ______nÐ _______Ð3

.Ð.Ð__.Ð ÐÐ__Ð______bÐ____ÐHH__H____Ð______Ð___Ð ___Ð _____Ð ___bÐ ___Ð

QbQ__bQ_____bÐ __Ð__Q

__Ð ____Ð _ÐnQQ__Q

__Ð ____Ð _bÐQ__Q

with a fast Bb scale

chord (F7sus) just before it arrivesNotice the anticipation of the next

F7sus

126 127 128_Ð ___Ð

___bÐ

Ðå EbQ__bQ .Ð__.Ð Ð

.bQ.Q__

.QEQ__Q

.Q.Q__.Q EQ__QQQ__QQbQ__bQ

bQbQ_bQQQ_Ð__Q

.Ð.Ð_.Ð ÐnÐÐ_Ð

.Ð.Ð_.Ð__.Ð ÐÐ_Ð__ÐQÐQ_QQQ_Ð__Q

qqÐqnQ_Q

qqÐqÐ _.Ð eqÐq .Q__

.Q

_E _.Q

D7sus

129 130 131

å _E____Q

å ___E

____Ð Ð Ð__Ð______Ð

___QÐ__Ð______Ð _____Ð

___E ____.Q

_____Ð Ð_____Ð _____

_ÐÐ Ð____

___Ð

¸

Ð_______Ð _.Ð________.Ð

_E________Q

__.Q______.Q

__Q______Q

¸Ï ¸

Maiden Voyage por Doug Mackenzie (Transcrição)

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