Aspectos Pedagógicos e Teóricos Da Percepção Musical

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7/17/2019 Aspectos Pedagógicos e Teóricos Da Percepção Musical http://slidepdf.com/reader/full/aspectos-pedagogicos-e-teoricos-da-percepcao-musical 1/12 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, CIÊNCIAS E LETRAS DE RIBEIRÃO PRETO DEPARTAMENTO DE MÚSICA Percepção Musical e Leitura à Primeira Vista – Uma Breve Revisão Bibliográfica PEDRO HENRIQUE BRINCK CAMARGO Ribeirã Pre!"SP #$%&

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Aspectos Pedagógicos e Teóricos da Percepção Musical e Leitura a Primeira Vista

Transcript of Aspectos Pedagógicos e Teóricos Da Percepção Musical

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UNIVERSIDADE DE SÃO PAULOFACULDADE DE FILOSOFIA, CIÊNCIAS E LETRAS DE RIBEIRÃO PRETO

DEPARTAMENTO DE MÚSICA

Percepção Musical e Leitura à Primeira Vista – Uma BreveRevisão Bibliográfica

PEDRO HENRIQUE BRINCK CAMARGO

Ribeirã Pre!"SP

#$%&

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UNIVERSIDADE DE SÃO PAULOFACULDADE DE FILOSOFIA, CIÊNCIAS E LETRAS DE RIBEIRÃO PRETO

DEPARTAMENTO DE MÚSICA

Percepção Musical e Leitura à Primeira Vista – Uma BreveRevisão Bibliográfica

PEDRO HENRIQUE BRINCK CAMARGO

 Ar!i' ()re*e+!( -. )r/0re12i*i! e -+-32*ã)(r( ()r4(5ã +( i*-i)3i+( C+-ei!*F2+(.e+!(i* ( M6*i-(, C2r* e Li-e+-i(!2r(e. E2-(5ã Ar!7*!i-( 8 H(bi3i!(5ã e.M6*i-("I+*!r2.e+!

 Ribeirã Pre!

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Resumo

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e .(+eir( *i3e+-i*( e (!e+!(, *e. ( i+!er)*i5ã i+*!r2.e+!

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R(.* ()2 Ri*(r!, #$%$ i*-2!e -+-ei!* -. leitura prévia, e

leitura à primeira vista. R(.* e:i+e -. !er. )(r( e*i'+(r 2. estudo

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instrumento, i:ere+!e ( LPV 12e *eri( e:i+i -. ato de executar a peça

sem reconhecimento prévio da obra.  De+!r (* :err(.e+!(* 2!i3i?((* )r 

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BARBOSA, M(ri( F3@4i( Si34eir(< Percepção musical como compree1são 2aobra musical8 -+!rib2i5e* ( )(r!ir ( )er*)e-!i4( ;i*!>ri-0-23!2r(3< #$$< %&:< Te*e D2!r( 0 C2r* e P*i-3'i( e E2-(5ã, F(-23(e eE2-(5ã, U+i4er*i(e e Sã P(23, Sã P(23, #$$<

FIREMAN, Mi3!+ C(*(< Leitura musical à primeira vista ao violão8  (i+:32+-i( ( r'(+i?(5ã .(!eri(3 e e*!2< #$%$< ##:< Te*e D2!r(e. M6*i-(< U+i4er*i(e Feer(3 ( B(;i(, S(34(r, #$%$<

SILVA, R+(3 (< Leitura ca1ta2a 2. -(.i+; )(r( ( -+*!r25ã ((2i(5ã + .6*i- )r:i**i+(3< #$%$< %%#:< Di**er!(5ã Me*!r( e.M6*i-(< I+*!i!2! e Ar!e*, U+i4er*i(e E*!(2(3 e C(.)i+(* U+i-(.),C(.)i+(*, #$%$<

OTUTUMI, Cri*!i(+e H< Vi!(3< # e1si1o tra2icio1al 1a 2iscipli1a PercepçãoMusical8 pri1cipais aspectos em 2esta3ue por autores 2a área 1os9ltimos a1os) Re4i*!( V>r!e,C2ri!ib(, +<#, #$%, )<%0%$

PANARO, P(b3< PERCEP[ÃO MUSICAL PRINCIPAIS CR\TICAS EPROPOSTAS METODOL]GICAS< ,1ais 2o " imp:sio Brasileiro 2e P:s;gra2ua12os em M9sica8 "MP#M< Ri e Z(+eir, )<$0, 2!< #$%$<

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